Van de Port invokes Eliade’s concept of “hierophany”:
“Religious practices in candomble have always privileged the human body as the
prime site of what Mircea Eliade has called ‘heirophany’, the appearance of the
sacred. Initiation rituals, animal sacrifice, spirit possession – in all these
activities, the human body in performative action is the medium used to gain
access to the mysterious fundamentos, the ‘deep knowledge’”. (p. 445). Further
in the paper, he notes the arduous and prolonged initiation processes as
requisite to access the arcane knowledge of the candomble. Where/how does
bodily suffering figure here? In the sense of a performative action, suffering
itself may be requisite to furthering religious knowledge – as in, to perform
the reveal and dissemination of knowledge and secrets. Why has suffering
figured integrally in all the rituals we have studied (the Hauka rituals,
particularly) – where is suffering place in religious performance and “imagination”?
Can the supernatural only be sufficiently comprehended through the body that is specifically in pain, the body that is on the verge of being broken?
No comments:
Post a Comment